It has been such a privilege to rekindle my body of work with the support of the team at ARC Stockton. Annabel Turpin has always been so open to providing space and platforms for theatre-makers developing work which is contemporary, is challenging in form or content, and work which explores the relationship between audience and theatre practice. I've had a truly curious, artistically fulfilling, adventure with other amazing artists, and as such, the space to engage in my ongoing conversation within my own practice about the aesthetics of change / equality in theatre.

Butterfly is a one woman contemporary performance piece which aims to recognise the historical trail of stigma attached to mental health problems, and more widely to disabled people and to anyone regarded as ‘other’. However, Beatrice, our main protagonist, had hoped that she wouldn’t be here, tonight, in this place. Under the microscope. The worst thing we could do really was put her centre-stage. She just wants a quiet life, but given the treatment of disabled people, including people with mental health problems, her hand is forced.
Beatrice is faced with the options of staying under the radar or becoming a ‘Reclaimer’ in an increasingly hostile state. With the help of Butterfly and Boudica, and an experimentation with form, Beatrice travels between both big and little history, and is forced to make some difficult decisions. Elizabeth, as ever, stays behind her blinds and half drawn curtains.

Butterfly explores how we, as a society and as a culture, continue to accept and perpetuate the weighty baggage of stereotypes, medicalisation and myths as facts. So great and powerful are the traditions of the cultural canon, that anyone outside it, anyone not represented by it, anyone who has not had their voices and stories heard by it, must continue to challenge it and fight to be included in the cultural landscape.

I am committed to disability equality in cultural contexts and I am currently exploring the connection between work made in a mental health context and its aesthetic relationship to the social model of disability, or models which locate the disabling factors in a person's life outside of the individual, and its position within the broader body of Disability Arts. I am fascinated with the representation of disability in the classical cannon and challenging our accepted narratives around disabled people and their value/place. My work explores the colonisation of identity and its reclamation.

In aesthetic terms, it is not enough for me to make 'access' an artform, thought I do value this - the work we make clearly has to be accessible as an act of equality. I fully understand why it is important to make work accessible. How possible is it to make the work universally accessible though? Or perhaps what I really mean by that is, in terms of the access we're attempting to make part of the artistic process, how many people do we leave out, exclude, leave unreferenced in terms of equality, how many impairments are not considered in current 'access as aesthetic'. And what message does it send to disabled people (and non-disabled people) whose access isn't considered for the aesthetic? Within Disability Arts, we've been having these conversations for decades, and will for time to come. I'm interested in  the stories we choose to tell, the aesthetics we employ in their telling, the artistic decision making which comes from the palette of a disabled person's individual experience but with equal weighting for me, the truths we expose through our reference to history, status, society, social policy, cultural signs and signifiers. Until our histories are told, we cannot fully reveal our present.

You can see a trailer here: 

https://www.youtube.com/watch?v=fpPYsne-wzU

A review of the show from the Northern Echo

Lovely blog piece on Express North

Some comments on Vici’s work:

"A powerful, dark, funny one woman drama exploring how we treat human beings in the 21st Century" 
                                                                                                             Express North - Inspiring Women to Celebrate

“Intense, innovative and thought provoking, cleverly written and skilfully executed” 
                                                                                                               The Art of Not Getting Lost, Shout North East

“Compelling theatre – I was completely drawn into the world they created” 
                                                                                                                           The Art of Not Getting Lost, Audience

“This show would not be out of place on a London stage, and if it were, it would shine” 
                                                                                                                                   Audience Member, ARC Stockton

“Vici Wreford Sinnott is an accomplished writer and knows her craft”
                                                                                                                                                     Disability Arts Online

Pauline Heath in Association with Little Cog

3 Disabled Actors and 1 Non-Disabled Actor Wanted For Rehearsed Reading

Occupation is a new play by Pauline Heath which will be presented at ARC Stockton as a rehearsed reading on 1 October 2015.

This new hard-hitting play is showing how people and families have been affected by austerity. And how it affects everybody, not just minorities. People who would never before have dreamed of attending a rally, are now gathering to speak out. What would make you protest? What would you protest about? This piece is taken from the real life experiences of disabled people near you.


1 female actor, playing age 40-50 years to play Parent

1 male disabled actor, playing age 45-50 years to play Ex-Soldier

1 male disabled actor, playing age 18-22 years to play Young Person

1 female disabled actor, playing age 35-50 years to play Professional


Each actor will multi-role, but will have one main character to play.

There will be five days of rehearsals in Stockton-On-Tees, 27 September – 1 October, including a public reading on 1 October 2015. Actors must be available for all rehearsals and performance. The fee is £150 per day, with travel and accommodation covered additionally by arrangement. We also have an access budget.

Auditions will be held on 2 September 2015. To apply, please email us your CV including the name of two referees, a short paragraph stating why you are interested in being involved in this piece, a headshot and on a separate page, please inform us of your access requirements for the audition. The deadline for applications is Noon on 21 August. Please email to Vici Wreford-Sinnott at littlecog@rocketmail.com indicating which part you are applying for in your email and with Occupation Audition in the email Subject line.